After more than 40 years, Silberstreif's EP ‘Ich suche dein Gesicht’, first released on Sky Records in 1983, is available again. Rather unusual for Sky's catalogue, the duo played flawless synth-pop with German-language lyrics. This EP sank into obscurity in the 1980s flood of hyper-commercial German New Wave releases. The band later became an insider tip and the EP a sought-after collector's item. The re-issue is accompanied by four previously unreleased bonus tracks.

Genre-resistant Berlin duo Neuzeitliche Bodenbeläge return to Bureau B with Neue Kreise, a sharp sophomore LP that shakes a cocktail of musical influences into an irresistible blend of smooth, synthetic pop. If their 2020 debut Der Große Preis saw the N(ewer)DW angst of their early releases give way to bubbling boogie and kosmische funk, this 11-track outing dives headfirst into the deep blues and sunset hues of yacht rock and groove-laden jazz fusion, all while retaining their signature lyrical bite.

Hamburg’s kosmische custodians at Bureau B proudly welcome legendary synth maestro Peter
Baumann back into the studio for his first solo album since Machines Of Desire (2016). A defining force
in the Berlin School of electronic music, both as a member of Tangerine Dream in their most essential
era, and as a solo artist, Baumann has always bridged the cerebral and the cinematic. With Nightfall, he
embarks on another sonic odyssey, crafting an atmospheric album steeped in mystery and evocative
storytelling.

With his first full-length album „Ruinenkampf“, to be released via Hamburg based label
Bureau B, Das Kinn embarks on a musical tour de force through the ruins of our time.
An electronic armada and kickbox phonetics lead us through haunting soundscapes
somewhere between DAF, Kosmische Kuriere and Frankfurt Bahnhofsviertel.
Beats on full blast. Bones rattle. Warm synthlines played by cold hands.
A saxophone ponders the after.
Hymns for the demolition. Sonic meditations on decay.
Music for the solemn decline.

‘Fluoreszent' is the new solo album by Cologne based artist Hans Nieswandt and his third for Hamburg's Bureau B label.
Hans Nieswandt is a long standing and highly respected key figure in the music scene of Cologne, of Germany and beyond. As a pioneering DJ since the mid-eighties, as writer and editor for the mighty Spex magazine in the early nineties, and as a music producer, solo and with his group Whirlpool Productions, he helped shape the Sound Of Cologne from the mid- nineties onward.

Agree to disagree: A selected Krautrock discography 

Krautrock, what is it anyway? A genre, a derogative term, a song by Faust, … or: a welcome (and recurring) opportunity to talk about all of this.

Japanese producer Saeko Killy returns for her second album of psychedelic electronics and drum machine workouts with “Dream In Dream” on Bureau B.

In contrast to her first LP “Morphing Polaroids”, which was a more collaborative project coming out of the pandemic, “Dream In Dream” sees Saeko Killy take the lion's share of the controls herself. This time around she wrote and played mostly everything herself, meaning she could arrange her songs exactly how she liked, to draw out their dream-like elements.

After a couple of decades dancing in the dark, Berlin brothers Norbert and Volker Schultze finally found their way back into the spotlight via Bureau B's much-needed reissue of their minimal and masterful debut LP 'Dinner Für 2'. Now the Hamburg imprint turn their attention to the second VONO LP, 'Modern Leben', which found the brothers Schultze expanding on the stark palette of their debut, adding spiky fretwork and muscular rock chords to their infectious synth-lines and efficient rhythms for an altogether heftier sound.

Collector, seeker and storyteller Charles Bals brings his curatorial finesse to Hamburg's Bureau B with 'Ambientale', a journey into otherworldly sounds from the years 1983 - 2000. Drifting effortlessly between digital exoticism, mellow fusion, new age groove and library electronics, the pieces range from largely obscure to utterly un-google-able, and coalesce into a stunning soundtrack to tranquil seas, desert sand and starlit skies. Cinematic & enigmatic, 'Ambientale' is a stranger you've only just met but can't stop thinking about.

If you're already aware of Rüdiger Lorenz, chances are you washed ashore on 'Southland', his cult kosmische curio graciously reissued by the ever-benevolent Bureau B in the middle of the last decade. Either that, or you're one of the few hundred electronic music obsessives who encountered his work the first time round, giddily grabbing up the eighteen cassette, vinyl and CD releases the prolific part-timer delivered DIY style on his Syntape and Syncord imprints between 1981-1998. I say this because despite a catalogue both copious and singular, and a renewed interest amongst the switched on and tuned in since his premature passing in 2000, Rüdiger's reception has remained sadly subterranean - another example of audio inequity. As such, it falls to 'Synrise', attentively assembled by Rüdiger's son Tim, to shine some rightful light on this unique talent.